After the break you can find a brand new episode of Travis Bickle on the Riviera, the world's only movie podcast, with your hosts Tucker Stone, Morgan Jeske and Sean Witzke.
0:00:00 - 2:38:29 -
6 Days (2017), directed by Toa Fraser, starring Jamie Bell, Mark Strong, and Abbie Cornish.
The Beguiled (2017), directed by Sofia Coppola, starring Nicole Kidman, Kirsten Dunst, Collin Farrell, and Elle Fanning.
Call Me By Your Name (2017), directed by Luca Guadagino, starring Armie Hammer, Timothee Chalamet, and Michael Stuhlbarg.
Catfight (2017), directed by Onur Turkel, starring Anne Heche, Sandra Oh, and Alicia Silverstone
The Florida Project (2017), directed by Sean Baker, starring Brooklyn Prince, Bria Vintae, and Willem Dafoe.
Get Out (2017), directed by Jordan Peele, starring Daniel Kaluuya, Alison Williams, Catherine Keener, Bradley Whitford, Stephen Root, Lakeith Stanfield, and Lilrel Howery.
Good Time (2017), directed by Benny & Josh Safdie, starring Robert Pattinson, Benny Safdie, Necro, Buddy Duress, and Jennifer Jason Leigh.
I, Daniel Blake (2017), directed by Ken Loach, starring Dave Johns and Harley Squires.
John Wick Chapter 2 (2017), directed by Chad Stahelski, starring Keanu Reeves, Common, Laurence Fishburne, Ruby Rose, John Leguizamo, Ricardo Scaramancio, Ian McShane, Lance Reddick, Franco Nero, and Peter Stormare.
King Arthur: Legend of the Sword (2017), directed by Guy Ritchie, starring Charlie Hunnam, Aidan Gillen, Astrid Berges-Frisbey, Jude Law, Eric Bana, Djimon Hounsou, Poppy Delvigne, and Tom Wu.
Lady Macbeth (2017), directed by William Oldroyd, starring Florence Pugh, Cosmo Jarvis, Naomi Acke, Christopher Fairbank, and Paul Hilton.
Lady Bird (2017), directed by Greta Gerwig, starring Saorise Ronan, Laurie Metcalf, Tracy Letts, Timothee Chalamet, and Lucas Hedges.
The Lost City of Z (2017), directed by James Gray, starring Charlie Hunnam, Robert Pattinson, Sienna Miller, Franco Nero, and Tom Holland.
The Lovers (2017), directed by Azazel Jacobs, starring Barbara Hershey, Tracy Letts, Aidan Gillen, and Melora Walters.
Nocturama (2017), directed by Bertrand Bonello, starring Finnegan Oldfield, Vincent Rottiers, Hazma Meziani, Manal Issa, Martin Guyot, Jamil McRaven, Rabah Nait Oufella, and Luis Rego.
Personal Shopper (2017), directed by Olivier Assayas, starring Kristen Stewart, Lars Eldinger, Nora Von Waldstatten, and Anders Danielsen.
Phantom Thread (2017), directed by Paul Thomas Anderson, starring Daniel Day Lewis, Vicky Krieps, Lesley Manville, Brian Gleeson, and Julia Davis.
Raw (2017), directed by Julia Ducournau, starring Garanca Marillier, Ella Rumpf, Rabait Nait Oufella, Laurent Lucas, and Joanna Priess.
Twin Peaks - The Return (2017), directed by David Lynch, starring Kyle McLachlan.
Next Week: Phantom Thread vs Re-Animator
Our outro music this week: is "Connie" by the Oneohtrix Point Never from Good Time. And our intro, as always, is from Escape From New York.
Yo, nice lists fellas (or conversation long containers that can only hold ten items in Morgan's case). I echo the thoughts on I, Daniel Blake. Tremendous, the only other time I cried during the year was when they faded to the real photograph at the end of the Emily Dickenson movie.
Any love or hate for Song to Song?
I really liked that one, at least more than the last Malick with Christian Bale. I thought the storytelling really clicked in with the movie-making on this one. I mean nothing major happens plot wise but it did feel quite new somehow. Skipping around these peoples lives, jumping to different cities, hearing some conversations, Cate Blanchet for a little bit, Rooney Mara talking to her dad, Iggy pop for a bit, all the different types of cameras and edits. I thought it was the most successful version of whatever he's experimenting with.
Posted by: Moose | 2018.01.30 at 03:58
Thanks!
I didn't care for Knight Of Cups and thus was hesitant to rejoin Malick's wave. I did plan to get around to this one eventually because I've heard similar sentiments from non-devotees.
Posted by: Morgan Jeske | 2018.01.31 at 18:05
Maybe wrong place, wrong time, but I just saw an article on the Tarantino Manson movie.
As I know this might(?) be something you all are looking forward to, I want to ask why anyone thinks this movie is a good idea.
In one of your podcasts, I recall Tucker talking about Sharon Tate begging for her life, and how troubling that was. Why should Tarantino, of all people, be put in charge of this delicate tragedy? To me, this looks like an impending train crash of a project. People might even dig it when it comes out, but that looks like an awful reality I wish would be avoided.
Posted by: Jon | 2018.02.02 at 08:22
Won't somebody think of the children
Posted by: Sean Witzke | 2018.02.02 at 09:43
Oops, sorry. Forgot whose pool I was playing in. It's yours, shouldn't have waded in. Enjoy.
Posted by: Jon | 2018.02.02 at 10:47
Jon - I'm not looking forward to it. I don't like him though...I'm going to soft agree with your sentiments. Like, what value is there in depicting the actual event? (it has been done many times over anyway) That being said it's a work that doesn't exist yet so what's to discuss.
Posted by: Morgan | 2018.02.02 at 13:39
Morgan. Appreciated.
Sean. By all means, he can make it. Kids can watch it. I don’t care.
What I find distasteful is using real tragedy to titilate.
But like Morgan said, it hasn’t been made, so who’s to say that’s the way it’ll go.
I will be cringing as I wait to find out though. Not looking forward to it. Peace.
Posted by: Jon | 2018.02.02 at 15:11
Well, this took a turn
Posted by: Tucker Stone | 2018.02.02 at 21:56